The Battle of Maqdala in 1868 was a British military expedition led by Gen. Robert Napier to release British hostages held in what is now Ethiopia by Emperor Tewodros II. After British troops destroyed the emperor’s fortress, religious artifacts were ransacked; the items have since been acquired by several institutions, including the V&A and the British Museum, as well as by private collectors.
The V&A website describes the museum’s collection of Ethiopian treasures as an “unsettling reminder of the imperial processes which enabled British museums to acquire the cultural assets of others.”
“This is a very well-known case where there is a serious claim for the return of cultural objects,” said Alexander Herman, assistant director of the Institute of Art and Law, an educational organization based in London. “A major British institution has at least agreed in principle to be open to some form of sharing arrangement or loan.”
Ethiopia’s previous requests to the British government for the restitution of the objects have been denied. According to the Association For the Return of the Maqdala Ethiopian Treasures, only 10 of the 468 items known to have been seized at Maqdala have been returned.
Around 80 of the items seized are in the British Museum’s collection. A spokeswoman for the museum said its trustees would consider a loan request by Ethiopia. She added, “There is a great public benefit to material from Ethiopia being represented within the context of the British Museum’s world collection where it is accessible to millions of international visitors a year.”
The complex issue of repatriating looted objects has rumbled on in Europe and the United States for years. President Emmanuel Macron of France said in November that the return of African artifacts was “a top priority” for his country. At a speech in Burkina Faso, he said, “African heritage can’t just be in European private collections and museums.”
Mr. Herman described Mr. Macron’s statement and the Victoria and Albert Museum’s gesture as an “important moment.” “We’re starting to see an openness on the part of at least some major Western museums to engage with communities of origin,” he said.
“The loan is a powerful method of bringing people together,” he added. “It is an instrument that allows for an ongoing dialogue.”
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